The tension in this concrete silence

Vassily Grossman

Please note this passage, from John Lancaster's LBR review of Vassily Grossman's epic Life and Fate:

That greatness is to do with scale. This is one of the hardest qualities to demonstrate, and it is made harder by the unpyrotechnic flatness of Grossman’s writing; although it has its virtuosities and set pieces, these are at the level of the character sketch rather than the brilliant sentence or flashy paragraph. Once you get used to this, it comes to seem a virtue; there’s no writerly showing-off. What there is is an immense depth of feeling and experience.

In addition to his wartime adventures, Grossman knew the Ukraine; the world of factories, where he had worked; the world of science, from his training as a chemist; the world of the Party ideologues, and the world of those they cajoled, arrested and interrogated. He knew prisoners, snipers, starving old ladies, Slavophile bigots, commissars, collaborators, every flavour of ordinary soldier, tankman, fighter pilot, nurse, power-station worker, Tolstoyan, drunk, and cross teenage daughter. His experiences of Soviet society had an immense range, and he tried to get all of it into Life and Fate. The novel gives an extraordinary sense of intimacy with an entire culture.

One test of greatness in fiction is unflinchingness, and Life and Fate is utterly unflinching, taking the reader both into the prison camps of the Soviet state and the death camps of the Nazis: the latter journey, accompanying a young boy, David, and the woman who looks after him on the journey, Sofya Levinton, I found that I could not reread. The horror is all the more real because we have actually witnessed the gas chambers being built, and an inspection visit by Eichmann.

"A small surprise had been laid on for Eichmann and Liss during their tour of inspection. In the middle of the gas chamber, the engineers had laid a small table with hors d’oeuvres and wine. Reineke invited Eichmann and Liss to sit down.

Eichmann laughed at this charming idea and said: ‘With the greatest of pleasure.’

He gave his cap to his bodyguard and sat down. His large face suddenly took on a look of kindly concentration, the same look that appears on the faces of millions of men as they sit down to a good meal.

Reineke poured out the wine and they all reached for their glasses, waiting for Eichmann to propose a toast.

The tension in this concrete silence, in these full glasses, was so extreme that Liss felt his heart was about to burst. What he wanted was some ringing toast to clear the atmosphere, a toast to the glory of the German ideal. Instead, the tension grew stronger – Eichmann was chewing a sandwich.

‘Well, gentlemen?’ said Eichmann. ‘I call that excellent ham!’

‘We’re waiting for the master of ceremonies to propose a toast,’ said Liss.

Eichmann raised his glass.

‘To the continued success of our work! Yes, that certainly deserves a toast!’

Eichmann was the only man to eat well and drink very little."