The modern world, as Kafka predicted, has become a world where the irrational has become rational, where lies become true. And facts alone will be powerless to thwart the mendacity spun out through billions of dollars in corporate advertising, lobbying and control of traditional sources of information. We will have to descend into the world of the forgotten, to write, photograph, paint, sing, act, blog, video and film with anger and honesty that have been blunted by the parameters of traditional journalism. The lines between artists, social activists and journalists have to be erased. These lines diminish the power of reform, justice and an understanding of the truth. And it is for this purpose that these lines are there.
"As a writer part of what you are aiming for is to present things in ways that will resonate with people, which will give voice to feelings and concerns, feelings that may not be fully verbalized," Ewen said. "You can't do that simply by providing them with data. One of the major problems of the present is that those structures designed to promote a progressive agenda are antediluvian."
Corporate ideology, embodied in neoconservatism, has seeped into the attitudes of most self-described liberals. It champions unfettered capitalism and globalization as eternal. This is the classic tactic that power elites use to maintain themselves. The loss of historical memory, which "balanced and objective" journalism promotes, has only contributed to this fantasy. But the fantasy, despite the desperate raiding of taxpayer funds to keep the corporate system alive, is now coming undone. The lie is being exposed. And the corporate state is running scared.
is a literary/cultural journal published by the SAN DIEGO STATE UNIVERSITY English Department. Current issue: WALLS. Upcoming issue: DV8. Issue in production: ABOUT SEEING: Addressing the Visual Arts.
Tuesday, June 30, 2009
Truth-telling doesn't always work
Chris Hedges tells the truth: The Truth Alone Will Not Set You Free!
Monday, June 8, 2009
Harold Jaffe speaks
Harold Jaffe just gave an interview to Every Writer's Resource:
EWR: It seems that you are using your writing, your art, as a tool, not just to probe into individual human condition but into the 'collective' human condition. Some artists would argue that the internal world of humans is our true condition and others might argue that it is our interaction, and our relationships that give us better insight into who we are. Do you feel that it is the internal human nature that defines us or the interaction and conflict?
Jaffe: I've phrased it (borrowing form the Canadian philosopher Charles Taylor) as the distinction between art-making that endorses a liberation of nature as opposed to a liberation from nature.
I believe in the former. That is, like Gramsci ('pessimist of the intellect, but optimist of the will'), I've willed myself to believe that the human condition (not excluding animals, plants and the planet overall) is capable of being modified and democratized and that art can play a role in that effort.
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